The Future of Human Transportation

Let's talk about the Future
Everybody talks about the future of cars...
Pfft! Let's talk about the future... of movement itself!
The Future (featuring Rockets, Observatories & Robot Apartments
Everyone is sexy in the future...

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...except Indians, of course.
...Me? Oh, well there's and exception to every rule, y'know. (I'm a force of nature...)
Anyway; Shopping is still very popular in the future...

The Malls are bigger, but the people are more unfit. In the mid 21st century, the leading cause of human death was... Mall Fatigue.
Strangely enough, the solution to this problem had existed for decades!
The Baby Carrier!
22nd Century Robotics met 21st Century Laziness, with stunning results!

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Behold... the Personal Transport Robot!
Peters are everywhere...
Peters playing in the park (holy alliteration!)
Two Peters at a urinal. Please wash your hands!

They literally build themselves...
...and get 8 miles to the gallon!
Road Rage is still all the rage...
Only now it's a little more exciting

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All this 'Assisted Transportation' has made Humanity even more lazy and unfit!
In the 22nd century, the leading cause of death is... Attempted Fornication!
O, cruel Fate! People are sexier than they've ever been, but nobody's gettin' any sex!!!
...except Indians, of course.

Notes

Like most truly great ideas, this comic started off as idle chit-chat over the phone. A few months ago a friend and I were talking about the people who park on the sidewalk at the mall even though there’s plenty of parking nearby, and that, given the option, they would take their Range Rovers inside the mall itself and drive around the aisles of the Hypermarket. We talked about the rising number of five-to-ten year olds we see being carted around in prams (or strollers as some call them), and how we were never considered so delicate by our parents and had to walk around just like them (to no ill effects, I might add). My gears started turning, of course, considering the future of Human Laziness, and thus the idea of giant robot baby carriers for adults was born.

We’ve already seen people come up with personal transport; the Segway is probably the most famous and visible — indeed, one mall here in Dubai uses them to transport security guards (the same mall also has a golf-cart shuttle service to take people along its length). Recently at the 2007 Tokyo Motor Show, a couple of personal transport concepts (from Suzuki and Toyota) rekindled my robot transport idea, and figured it would make a good comic.

I didn’t really decide on a page count for this, figuring that perhaps like last time it would only take two pages. Indeed, had I stuck solely to the robots it may have been, but I think the other stuff about the consequences of Human Laziness are worth the extra page. I wondered if it might come out to two-and-half pages or some odd amount, but luck was on my side and it comes in at three pages even (of 8 panels each).

This time when pencilling the comic I put in more shading in the pencils themselves, but it’s still rough. I coloured it in inkscape but integrated those colours with the pencils in the GIMP (instead of vector-tracing the pencils or inking them seperately). I did it on the new laptop, mostly to see how the colours translate across monitors. On my net computer’s wonky monitor it looks very dark and some of the text isn’t well defined. It looked fine on the laptop which, I assume, is closer to most people’s experience, but if any of it doesn’t look right to you please tell via a comment below.

There are a couple more comic ideas floating around my head of a similar nature (i.e. with ‘me’ narrating) but I don’t know when that will be done. It depends on how fired up I am about them or if, like with this one, something shows up (the Tokyo Auto Show concepts) to remind me of it.

V

Norton and Fenroy’s Most Excellent Used Book Dealership

Savant Booksellers SketchThe further illustrated (and mundane) adventures of Mister Savant! Still after books, this time he seems to be negotiating the price on a tome. Typical, the man is so obsessed with cheap and obscure paperbacks when he should be trying to get his hosts to part with their hats!

This drawing started off in my 15x18cm notebook with a vague idea in my head late one night, and so I ended up tackling it a little differently. I didn’t thumbnail or roughly draw in the entire scene, instead finishing the pencils on one character entirely and then moving onto the next.

The result is apparent (to me at least); the quality and styles of the figures vary wildly. Savant (back to us) was drawn in first, hence the lines are tentative and ‘noodly’, lacking definition. The short man (is it Norton or Fenroy, I haven’t decided) came next, and by now I was warming up and starting to have some fun; the snow globe hats, for instance, were a last second addition. The pink fairy was next, and since her pose was somewhat unconventional the lines are a bit uneven here too, although I’m happy with the way she turned out.

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In order to fill the rest of the space I wondered if I should perhaps draw in some background material such as stacks of books or shelves, but since I’m not very comfortable drawing backgrounds (and I’d already drawn more than enough books in Mister Savant’s Stupid Quest for the Book Whose Name He Simply, Well.. Forgot!), I decided a couple more figures might fill in the page nicely. I had the most fun drawing these two figures, namely the tall man and Sophie, and I think it shows. The lines are the most confident here. Indeed, the visual difference between Savant and Sophie makes me a bit uncomfortable, but I didn’t want to rub it out and start over. It’s only a sketch!

The second fairy was added in as an afterthought as I had by then decided on having no background elements whatsoever, and to put in some kind of chandelier or something in that space to balance the composition would have seemed out of place.

As usual with my sketches, I left in the construction lines. I scanned it in and coloured it in GIMP; just a simple flat colour pass and one for adding in dodge/burn highlights and shadows. Not the most elegant job I’ve done (probably has something to do with the fact that I only used fuzzy round brushes) but satisfactory.

I like doing these Savant sketches. They’re a lot of fun and even as I completed this one I thought up a bunch more to do. I like them even more when they have a bit of colour on them. I’ve mostly always been a black-and-white sketch person, leaving colour for more finished pieces, but I’m starting to see its merits even in quick work. Also it’s one more place to practice colour theory and hone my skills.

I think that on the next ones I should definitely ‘rough in’ the scene before going to finished pencils to avoid those awkward style changes. Im not practiced or proficient enough a cartoonist to even have a style yet, so I should remember that warmup time is needed.

Oh, and next time I promise he won’t be doing anything boring.

V

Mister Savant’s Stupid Quest for the Book whose Name he simply, well… Forgot!

Mister Savant's Stupid Quest for the Book whose Name he simply, well... Forgot!

This pic is both in Sketch Machine and Illustration because it started off as a pencil sketch in my little notebook, and by the time it was done I figured I might as well colour it up in the GIMP.

I did a bit of cleanup to the pencil work, which was actually a lot harder than I thought because I couldn’t just erase things like construction lines without destroying the texture of the paper that was also scanned in. So, I ended up using the clone brush, and it worked out. I mainly got rid of, as I said, construction lines (which I never bother to erase until I ink something) and especially Xaria’s eyes, which were originally open but horribly done.

I have left the construction lines in on the typography, however, mostly because I think it adds character to it and contributes to the sketch/underground comic art look that I love.

Or I’m just lazy.

V

So Much for Pathos

So Much For Pathos -- a cropped banner version of the illustration
The other day I finally bothered to buy an optical mouse again. The old one had gone wonky and had been replaced, for a few months, with a ball one. While installing it I suddenly realised that the little graphics tablet attached to my work computer — hidden beneath a pile of well-intentioned clutter — was indeed working. Samir had fixed whatever byzantine driver issues were afflicting it, and in typical Samir fashion had now forgotten quite how he did it and when it had happened (btw, have you checked out his spiffy new blog and site?). With another hour to go before The Simpsons, I decided to give it and the new mouse a whirl.

Firing up the GIMP I loaded up a random picture from my vast collection of junk and played around with various unfamiliar filters and script-fu widgets. One I did have some familiarity with but hadn’t used in years is called iWarp, and is sort of like the liquify tool in Photoshop, or like that old turn-of-the-century tech show favourite, Kai’s Power Goo. It allows you to grow, shrink, warp and shift around various parts of the image, and it’s therefore very useful in creating anime-style characters. That’s what I did to the celebrity picture that formed the base of this. The result looks almost nothing like the original.

From there I took it into Inkscape and used the bitmap tracer to turn it into vector art, then fiddled around with the colours, added in details and shapes to make it more graphic and less like a traced picture. Finally, a background and a random caption (from Monty Python’s Flying Circus, of course). The oversized text in the background is done with a stylus using Inkscape’s calligraphy tool. The word balloon is a standard union boolean of an ellipse and a triangle.

Overall, only twenty minutes of work, which by my standards is a blink of an eye (you all know how many months I can spend abandoning… um, finishing work).

I should do these quickies more often. Hope you like it (and I hope you actually clicked on the image to see the whole, wallpaper-sized thing 😛

V