nonano

Well, I didn’t finish NaNoWriMo again. Guess third time’s not charmed for me :confused:. Come to think of it, that particular bit of urban lore has never applied to me. Something to do with being born two days after All Fool’s Day, I’ll wager.

It’s surprising how little I regret not finishing the NaNo ‘contest’; if anything I’m slightly more happy that now I don’t have the deadline to deal with. I only think of NaNo as a competition for about two days of the year; November 1 and November 31. At all times in between and outside I don’t consider it, and once the period has passed the projects cease to be ‘nanovels’ and just end up being novels.

Polendron is a novel now. I should finish it. :rolleyes:

I will admit to liking Polendron the novel more than Polendron the character, right now. I just know too little about the character to make a fair judgement. For the curious, no, I won’t even be giving sneak peeks until it’s done, at which point the spell-checked first draft will be made available in some form.

Polendron… it’s not named after the character, you know? It’s named after a type of flowering plant that exists in that universe; one of the characters is named after those flowers. I think the flowers have some significance to the plot. Or they could just be flowers.

What you won’t be aware of if you read just that bit I posted on Restart Twice, is that Polendron is my first full attempt at having a multiple POV. Right now it’s heading in a 2001: A Space Odyssey style, without distinct long chapters, just scenes that go on for as long as they need to with the characters they need to show. I have three protagonists, maybe four since one of the characters has a superior/colleague who is always around.

I have three ‘bits’ written so far (can’t call them chapters), for about 3,500 words. Section one is your regular third person perspective, sort of like a detached first person, nothing fancy. Reading section two again I sense a bit of neutrality in the narrative bias; neither Lawris nor Arkay have ‘control’ of the narration, because I really haven’t gone into their thoughts there. I didn’t need to at that point, just introduce them, throw a plot cookie, set up the tempestuous Arkay/Captain relationship and leave.

Section three is, so far, my favourite. I make no secret of the fact that I don’t particularly like the typical spunky girl protagonist, which is why I haven’t warmed to Polendron yet. Section three has a woman.

Gods, I don’t even know her name yet (I wonder if I can get away with calling her Madam or Professor for the entire novel… might work). I’m not too fond of the other two characters in this section, but then again you’re not supposed to like Bulasara or his wife, so there shall be no tears shed when it comes time for their exit from the story.

The Professor, on the other hand, I like. Though she is one of the three protagonists, I am still toying with the notion that she will be the only protagonist who will never have a narrative from her perspective, always remaining the observed and never the observer, Sherlock Holmes style (Section three takes place from Bulasara’s POV). It might work, since she is such a mysterious character.

I like her (did I say that already?); broad-shouldered, tall woman woith long raven hair who runs around naked and spouts philosophy about astrophysics and the meaning of life — what’s not to like, huh?

Speaking of likeable women, I really should finish Tale of a Thousand Savants one of these days. That thing was full of likeable women. Too bad once it’s done I don’t plan on showing it to anyone.

Exactly three people shout: WHAAAAT??!!!

Yes, that’s right, once Tale is done I’m not letting it out. It’s too soon to show that. It would be like releasing Return of the King first. There are traps to be laid, plot twists to be stewed in things like First Days, The Cleaving of Xaria, Undecided at the Moment and a few others. And I haven’t even told any of you about Sixteen Permutations, or Tale‘s follow up, Black Spots.

Polendron, however, comes first. It’s not part of any bigger series (not yet, anyway) so I don’t have the added pressure of trying to get it right. Don’t know if I’ll be able to finish it by the end of the year. Samir and I are busy working on something that I cannot talk about. I may not be able to talk about it for at least another year to a year and a half.

No, this has nothing to do with the movie project.

Exactly three people shout: WHAT MOVIE PROJECT??

Next time, next time. :hehe:

Vishal

stop monkeying around!!

ooka ooka ooka -- it's a picture of Monkey Brand Black Tooth Powder!Ah, my childhood. A place filled with paper airplanes, paper airplanes, paper airplanes…. okay, I was obsessed, I admit it.

But somewhere before we all assembled in my grandmother’s balcony to pelt the neighbouring compounds with our aeronautically exquisite creations (gnats, darts, flat gliders, helicopters, plain vanilla concordes) we had to brush our teeth.

Children need to do that, else they will get no sweets.

Adults need to do that, else they will get no Sweeties.

Brushing your teeth in India is a tradition that is far, far older than when Proctor and Gamble decided to open a branch in the colonies. Indians, being slightly off in the head, would get up every day at the crack of dawn to chew on loose bits of the azadiracta indica tree, which we call neem. Azadiractin, by the by, is one of the most potent natural anti-microbial agents known to man.

Yes.

Even post-paste there are people who still chew on the stuff, and while civilized folk will ooh and aah about their minty fresh gels and “herbal” based toothpastes, nothing says “Hello, Gorgeous, you’re teeth are clean!” like washing a black powder from your gums.

Yes, it is a black powder.

No, it doesn’t stain.

Yes, it’s minty fresh.

No, I don’t think it contains monkeys.

I don’t think

Vishal

i am alpha and omega

Chhatrapati Shivaji Terminus, MumbaiIt takes a certain effort to convince yourself that it does indeed exist. That you aren’t looking at some architectural apparition concocted of ether and Mumbai soot. Almost immediately you tend to notice that everyone else passing by it without a care in the world. “Can it be that they don’t see it?” I may live to be a hundred thousand years, but my reaction to seeing “VT” will always be the same.

Before I left for Mumbai last October I asked if anyone had requests. The Marthas asked for a picture of a train station, and so, first day in Mumbai, camera in hand, October Heat in full swing, I set out in search of a platform.

So I went to the train station.

Victoria Terminus opened to the public in 1882, four years after building commenced (it was finished in 1888). F.W. Stevens, the architect, is also responsible for the old municipal commision building. In the late 90s the station was renamed to Chhatrapati Shivaji Terminus (after Shivaji, Maratha king, balls of titanium), but most people still refer to it as VT (probably because “CST” isn’t as easy to pronounce). There is no statue of Shivaji there yet, but it’s only a matter of time, and should make an interesting addition. I only wish they’d make something slightly different from the usual “Shivaji on a horse, sword aimed forward” pose. Okay, okay, so they won’t take my suggestion of a depiction of Shivaji ripping the intestines of his enemies out with his infamous tiger-clawed glove. Oh well, at least some P.C. nut hasn’t brought about a ban on Kali and Durga imagery yet (“But think of the Children. THE CHILDREN!!”).

The statue at the top (visible in the first pic), by the way, is supposed to be Progress. Hello, Dearie. Where’ve you been all my life?

“I was standing on top of a train station. How the hell do I get down?”

Right.

The name isn’t the only thing that’s changed. Note the pipe-like structures that disappear into the ground in this picture (near the red bus). Other than making VT look more like the steampunk cathedral it already is, they’re the latest addition; a pedestrian subway to alleviate the congestion that used to happen earlier when four roads and a few hundred thousand pedestrians mixed on the crossroads in front of the station. When it was built everyone and their mother complained that it was an eyesore, but I love it; VT finally looks complete. Now all we need is a rocket launchpad next to Ms. Progress.

This is The platform on a very, very slow day. Things really heat up after 5pm when the offices leave, but when I took this picture it was early afternoon, probably the only daylight time when this station is not bursting at the seams with people either coming in or heading out. VT is the end of the Central Railway line, smack dab in the middle of the downtown office district. It’s also one of the major stations where out-of-city trains come in. For many people this is the first place they touch Mumbai ground; it’s like getting into heaven at God’s driveway.

It’s no secret that I’m a South Mumbai nut; I love the palpable sense of magick in the air (a feeling only matched in Elephanta and Dadar market). And South Mumbai starts at VT. Its north border is the footbridge that hangs over the road, connecting the train platform to the Times of India building on the other side. VT stands like a sentinel, Progress at its head, receiving millions each day, sending them back on their way each evening.

Of the 300 or so outdoor pictures I took on the trip, all of them are either in Dadar or South Mumbai. These are old places, places of magick, places that were magickal long before 1878. It still takes a certain effort to convince myself that they do indeed exist.

Vishal

rejujuvinationation

Welcome to iLevel 1.5, now incorporating Restart Twice.

Restart Twice was my old text-blog on Blogger, and iLevel was on Camblog. Both of the old blogs have now been blasted to smithereens! :laugh:

iLevel 1.5 — this blog — is what I originally envisioned as what my blog would be; a mix of words, photos, illustrations and everything in-between. I had considered trying to tag on the previous year’s of content on the old blogs into 1.5, but have decided against it. Sometimes you just have to move on. (Don’t worry, I still have back-ups of the photos and text, though they may never be put up for public-access again in their original form. Maybe some photos will come up in galleries in the 2.0 stage)

Yes, 2.0. iLevel 1.5 is the stepping stone to 2.0, which will be a full personal website, and iLevel in its new 1.5 form will be a part of that along with galleries and other stuff that makes me look cool. :hehe:

So welcome to iLevel. Enjoy.

Vishal

moving on

Restart Twice is now moving location, merging with my photo-blog, iLevel. All further posts will be at the new site, which is http://ilevel.cjb.net

This site will not be updated further.

Vishal

janta ki rai

Comments systems are now in place, courtesy blogspeak. Prove to me that I’m not the only one reading this.

V

and we’re off!

212 words down on Polendron, my NaNo2003 novel. Dunno what it is, dunno where it’s headed; seems a bit like an organic SF/Fantasy novel right now, but who knows. I’m not pushing for a plot; she’s just showing me where to go. Here’s what I have so far:

~~

Brown, muddy sweat trickled down the cumbel’s side. Plendron hopped down from her saddle with the leather scoop and ran the faded blue tool up the cumbel’s back, collecting the sticky, sweet-smelling sudor. the bowl at the end of the scoop was full; the blue leather sagged and bobbed under the weight of the fluid as she hopped through the knee-high grass back to her waltzer.

The grass was unusually strong this season, so when she stepped on some it bent but didn’t snap, and instead behaved as a trampoline would; she jumped into the saddle of the waltzer without any effort.

Polendron fed the cumbel’s sweat into the waltzer’s fuel tank. The engines behind her hummed with the taste of new fuel. She grabbed hold of the yoke and turned the vehicle about, waving to the cumbel as she swung around. The cumbel shot her a wizened sideways glance and continued to chew on the strong grass.

Three hundred millilitres of a cumbel’s sweat was enough for even a small wagon to run for days; in the zippier single-saddle waltzer it was a month’s worth of fuel even if she ran the veldt all day and all night.

~~

More as it comes.

V

rerecurrerencece

Sigh… here I am again. Third year, third NaNoWriMo. This time, I just might finish it.

As I look back at the previous two NaNos I’m struck by how, firstly, NaNo 2001 was such a roller coaster. The message-boards (back then as a sequential Yahoo! Club), the initial burst of speed, the final three day rush to 35K… actually coming up with a plot and character set that I like even after all this time.

But I knew (i.e. I had a nagging feeling in my gut) back then that Tale of a Thousand Savants was not ready to be finished, and hence I stopped at the end of the first third, just before the Eule section. This has turned out to be true, even if it was a self-fulfilling prophecy. Parts of Savant’s world have been revealed to me now that were unknown before 2001. Indeed, the full scope of what I was trying to attempt in Tale only hit me when NaNo 2k2 started up and I began writing Undecided at the Moment.

I don’t know quite how, but I had in both NaNos ended up choosing to write two very important parts of the Savant canon. Pre NaNo 2002 The major parts of the Savant time-line were, of course, First Days and The Cleaving of Xaria, with some nebulous thought about what happened far, far, far later in a project (since scrapped) that was nick-named Cleaving 2. Tale was just a pulpy, action-packed affair that would introduce a few characters, kill them off and keep the world pretty-much the same. Stuff would be destroyed, but it would be rebuilt, good as new.

I didn’t count on Park coming up.

Of all the characters I have written about in the Savant mythology, there are only two I would love to — no, am dying to — meet.

Savant and Xaria?

Pre NaNo 2001, yes, that would have been my answer. But the second Park showed up in a chapter entitled Dinner by Bug-Light, entirely unexpectedly, just as someone to fill the chairs, name, shape and X-Ray glasses decided in 2 whole seconds — she had me.

Let you in on a secret: Park was going to die, originally. At the end of the Eule segment she was going to die very well, blood spattering on Savant’s coat, blood dripping off Savant’s friction-free coat just as easily. Like Oded Fehr in Stephen Sommers’ The Mummy, Park was snatched from literary death to live life anew, and perhaps a sequel. I’m happy for that.

It was during December that I thought long and hard about just what Park would do in a post-Eule setup; would I just not kill her and keep her in the background, perhaps in a coma? By mid-January I had restructured the plot in ways that not just made sense, but felt right. This was Tale as it was meant to be, this was the plot waiting to find itself.

But not quite. For that I would have to wait another year.

It came soon; before I knew it, November 2002 was upon me, my mother was dead, I was waiting for my graphic design diploma, and writing seemed the farthest thing from my mind. Still, what the hell, I might as well try, right?

I signed up for the newly refurbished NaNo website and fiddled with my author profile. When I came to the field marked Working Title of Novel I immediately put in “Undecided at the moment”.

The words stared back at me. Undecided at the moment…

Undecided at the Moment!

I had my new novel.

There were parts of Savant I hadn’t touched upon. Parts that I had, quite literally, stayed the hell clear of. Undecided was my first dive into those mercurial waters, and though I never got farther than 3,000 words, I’m glad I went there.

If Tale was (initially) a pulpy action explosion, Undecided was a meditation; a tale of death, of sorrow, of an old man would couldn’t die trying to decide his role in the grand drama. It was exactly the mood I was in after my mother died three months before.

It was a tale of renewal.

As the plot of Undecided swirled through my mind on November 1st, 2002, I learned, finally, after eight long years him being with me, what happened to Savant at 400. More importantly, I understood why.

And understanding that, like Park a year before it, completely threw me.

I stopped writing — I had to. Here were all these new things I was being told, these new experiences, this ecstacy of the years 400 that I had never looked at. Never seen from Savant’s perspective. Never, even when I had seen everything else from his eyes.

At a certain level, I felt betrayed. Why had this been kept from me? Why now, when I needed to write Savant the most. In Sanskrit there is a proverb and loosely translated, it says: “When the pupil is ready the teacher will present himself.” It had taken eight years for this teacher to present himself.

By mid-November, 2002, I had begun the rather painful task of reorganising the story entirely from Savant’s perspective. In doing so the end of Tale presented itself. I had the whole plot some months before, but the one crucial aspect that was — both in the novel and to Savant himself — amiss had been formed. The cycle that started at the beginning of The Cleaving of Xaria had resolved itself, 3225 years later in Savant’s life. The events of 400 to 500 were that much more important now; the battle-lines drawn during First Days finally made sense; the passion in Cleaving was finally real. Savant was finally Savant.

What happens in the novel after Tale, I don’t know. I’m not meant to know yet.

Same goes for this year’s NaNovel. I don’t think it’ll be a Savant novel; it doesn’t feel like one. I had a few plots floating around for the past few weeks, but it doesn’t feel like one of those either.

Oh well.

The teacher will present himself.

Vishal

zonked out

The ZonkBoard people have removed their free service. So the Zonkboard is gone. Oh well. Fun while it lasted

update

I got a better redirect addy for the camblog. It’s now at:

http://www.ilevel.cjb.net

V

papablogzzi

Got a camblog. Here:

i-Level

Hee hee heee. etc.

V

blogmonster

Amit has a blog. Quake in alternating spasms of joy and horror. It is titled, appropriately, Flow of Thought, and oh babu, does it live up to its name.

Read at your own risk. It’s pretty good. He sounds like my Uncle on drugs… but then, that’s pretty much what Amit is.

V