Design

There's nothing like a small stack of freshly cut business cards. I have so far, in my eight-year-old(!) design career, had about five or six designs for my business card. I change them about every year or so, and that's not just to keep them fresh and interesting (mostly to me) but because I've never printed more than twenty or thirty of any one design.

No, there is no pack of five hundred or one thousand little rectangles of card stock with my name on it sitting around gathering dust. I take my design with crop marks to an ordinary copy shop and get a page or two (holding eight to ten cards each) printed on their good laser printer with card stock (250 gsm). It's cheap, effective, and means I don't have to be stuck to a single design for long.

This is a good thing for a small business or freelancer, as we don't have the kinds of numbers of clients that a person in an agency might field. If I'm not going to meet more than a dozen or two potential clients a year, why bother with hundreds of cards?

It's also a lot of fun to come home and cut them up (use adult supervision, kids!). You always feel that that 250 gsm paper is too floppy, but once cut into individual shapes believe me, they behave and feel just like any normal business card should.

This year's business card for Primordial Soop (the little design monster my brother & I run) turned out to be a bit strange. I've wanted to put something other than the usual biz card staples of name, contact and services offered, and came up with a bit of conversation. I hope you like it.

V

Ever since stone-age man first propped up a palm-leaf awning between two commercial mud huts, stuck a fountain in the centre and posted a sign for ‘toilet’ and ‘food court’ next to it, mankind has had malls to go to. A civic space that provides some place for Madame to shop, Sir to ogle, Young Master to gorge and fourteen-year-olds to stand around in groups trying to look cool (and failing en masse to do so).

And, like most things we’ve invented, over the subsequent thousands of years we have been attempting to make ever greater, more elaborate versions of the two-shop-fountain-and-food-court model we know as the shopping mall. Take the great pyramids of Giza, for instance; a quirky design whose unique architecture and indecipherable signage had led to it long being mislabeled as a place of worship, and even a tomb! Well let me tell you, the pyramids now have serious competition.

Ladies and Gentlemen, I have been to the Dubai Mall, and I have lived to tell the tale -- with pictures!

Over the next few days you will hear a lot about Google Chrome, the new web browser from the internet behemoth. I've tested it out and am happy to report that it's quite nice. Of course, I'm a long-time Mozilla Firefox user, so the transition has not been very stark. But if you're one of the poor people who still use Microsoft Internet Explorer (or worse, if until now you didn't even know what a web browser is and that there are mutliple available ones), then Chrome will be a revelation.

Even for me, the new browser is an intriguing new beast. It's very quick, intuitive to use and so far does things well. I can see myself using it for most tasks, at least those that don't require certain firefox plug-ins that I'm used to (but there will no doubt be equivalents for them in Google Chrome eventually), and I'm very happy that there is now a new robust, polished open-source browser. Competition and choice can only lead to better products in this regard.

But as impressive as the browser is, it is not the thing that I really wanted to blog about here. For you see, the most impressive thing about Google Chrome for me today is the fantastic comic that serves as an introduction to it.

The name Scott McCloud should be familiar to most comic book geeks such as myself. The author of seminal works like Understanding Comics has carved a name for himself as true master and expert of the comics medium. Who better to explain a new web browser; an application that's so simple to use it's invisible, but is so complex underneath that entire careers can be dedicated to it? Scott McCloud, of course.

I love how he manages to represent even the most arcane programming concepts in a fun and exciting way (helped, of course, by the words from Google Chrome's programming staff), how there's a single narrative thread but multiple voices from members of the team -- this is a feat you can't really achieve as well in video, for instance, but as a comic it works great. Alan Moore has always maintained that comics as a medium are rich beyond measure, that there are things you can do in it that you can't do in a movie or a book. I can think of several examples of Moore's own work to support this, but Scott McCloud's introduction to Google Chrome is a shining example too.

So even if you don't give Google Chrome a spin (I highly recommend you do), please do check out the comic that goes with it. It's simply superb.

Over the past five years I've been amassing an eclectic collection of cheap used books on my trips to Bombay. At Rs.10 apiece (around $0.25 US) they aren't expensive or significant (most of them are, in fact, the very opposite), but they are valuable to me, insomuch as they are weird -- and I love weird. I have read very few of them; Of the hundreds (and by now, thousands), I have only finished a handful. There have been plans ever since I started blogging to talk about them, to read and review them, but this has so far not happened.

I was reminded of this recently when Dan blogged about his bookshelf, and in the comments I lamented that most of my books were in boxes (he suggested I just take a picture of the box). "That's it," I said to myself, "enough dawdling!" I looked through a small box of them and chose seven -- none of which I have read -- but which I think are interesting. Maybe this will give me the impetus to actually read some, but for now I will talk of their weird and wonderful subjects, their pretty and often breathtaking covers, and their all-round coolness. I hope you find them as fun as I do.