kodak c875

How to Make Stylish Black & White Digital Photos with the GIMP

Road Picture - beforeRoad Picture - after
How exactly do you turn the dull, boring image on the left into the one on the right? Easy, read on for the tutorial!

Head in the Black & White Clouds

The top of a cloud in black & white

I mentioned in a previous Black & White photo post that while I love the aesthetic I'd never done much of it, i.e. I'd never bothered to process my (colour) digital pictures into adequate black & white photos. But now that I've hit upon a method whose results I like, expect a lot more black & white posts on this blog!

Today I'm presenting 5 shots taken mostly during my last India trip (except the first, which was taken in Khor Fakkan). I hope you like 'em, and if you'd like to find out how I did them, do check back here in a few days when I'll put up a tutorial on how to convert images to B&W using the GIMP. (You can follow the site's RSS feed, and me on twitter).

Pad Kapraw Thai Rice Noodles

Photo of Pad Kapraw Thai Rice Noodles on a wide-rimmed white presentation plate with red chopsticks

Lunch today was some Pad Kapraw Thai Rice Noodles. The noodles came with a flavour packet which I used. Pad Kapraw is apparently a basil-flavoured sauce, but the overriding flavour when the powder hit the pan was of liquorice. Luckily the finished dish had a very mild flavour, sweet and hot; not having had much Thai food I'm not sure how sweet Thai basil really is, so I'm assuming the liquorice-like flavour is a bit like it.

The rest of the dish contains a stir-fry of vegetables: bean sprouts, mushrooms, several coloured peppers and carrot, all sliced thin so they'd cook quickly. The rice noodles have to be handled carefully, cooked al dente (about 4 minutes) and rinsed thoroughly in cold water. They seem insubstantial compared to wheat noodles, but don't be fooled: as time goes by they soak up water and become plumper. Like rice itself, a little goes a long way.

Close-up photo of Pad Kapraw Thai Rice Noodles on a wide-rimmed white presentation plate with red chopsticks

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5 Basic Steps Towards Delicious Digital Food Photos

Photo of an empty white presentation plate with a green chilli placed on its wide textured rim
God bless the digital camera, that turned documenting everything you have for lunch into a viable option; the minutiae of everyday life into viable subjects. Face it, most of us take the food we eat for granted, not paying it much more attention than whether it arrives on our plates hot and on time and if it's tasty. But to those among us who are happy to call ourselves gourmands and foodies, the food we eat is a thing of beauty, to be cherished, considered, and respected.

One of the things I never thought I'd ever be good at, let alone be asked for tips on, is food photography. But life takes us in unexpected directions, and over six years of having a digital camera, food photography has become and important and enjoyable part of my photo-taking. In the film days I was always curious about it, and would drool over beautifully-photographed cookbooks, but I don't ever recall taking any food photos.

Now I take food photos nearly every day. It doesn't seem like a special thing to me: I have no fancy light boxes or complex studio set-ups -- like a lot of you out there I simply take pictures of the food I eat for lunch or dinner in the available light I have with either my compact camera or digital SLR, whichever suits my mood. So when people compliment me on my food photos and ask me, "How do you do it?" ...well, I'm both amused and slightly baffled.

Just such a thing occurred on Twitter a few weeks ago. I was looking through an old folder of unwritten blog posts and tweeted offhand about coming across a food photography post I had planned and abandoned years ago. Soon people were asking me to post these tips, and I promised to, but it slowly slipped out of my mind. Then people started reminding me, saying they were looking forward to it, and I was even more intrigued.

So I gave it a long hard think, and came to the conclusion that I would need a whole book to talk about food photography. Maybe I will write one some day, but for now I needed to make a blog post!

So I asked myself, "What are the basic elements of good food photos? What are the essential factors people should look for, a mental checklist to tick off when they're taking photos of their lunch?"

And so I came up with these:

Townie to Burbie



Took the excellent BRTS bus all the way from Rajabhai Tower to Thane. Excellent ride, but I wish I had the SLR on me to pull off quicker shots. I'm far too shy about using my camera in public, though (it's a necessary precaution when I'm in a more restrictive place like Dubai).

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The Whirling Carousel

A Carousel or Merry-Go-Round
There was a nice, old-style carousel plonked right in the middle of Festival City the other day. Luckily I'd brought along a camera, and the little Kodak performed admirably (it really is a boon to have some manual controls on these compacts). Myself, less so, for I took a lot of photos, but only one -- this one -- was any good.

This is a two second exposure on shutter priority, hand-held with my dad's shoulder acting as tripod.

Our parents' shoulders are useful for so many things.

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How To Prepare For Photography In A Dubai Sandstorm

Dubai city in the grip of a summer sandstorm
The short answer is: you can't

But should you have a camera on you when such a storm hits -- even one with dying batteries and not the greatest response time in the world -- it's worth attempting a few shots.

I've been very active on twitter since installing TweetDeck, and recently began posting pics there through twitpic. So when today I thought of posting some more, I figured I might as wel do it on my own website rather than on some third party service.

This post marks what is hopefully the first in a new direction for allVishal.com. I've been mulling a redesign of the site for ages now, and instead of waiting for just the right moment, when everything is perfect, I may as well start laying it all out there, content-wise. The journal was always supposed to be a place for all my junk -- if you'll pardon the term -- all the rambles and the random thoughts and the craziness, the mundane and the just plain... well, plain.

To that end, I've been taking my Kodak c875 out every day with me nowadays. I never did this much before, but since getting the Pentax K200D SLR a few months back I have grown to appreciate the little silver thing's qualities anew. It's not quite as pocketable as some of the slim fashioncams out there, but it does still fit in the pocket of my tightest jeans (okay, so I don't wear very tight jeans, but still). And there's no two ways about it; it still produces great results.

So, here's the recap of a lazy Friday afternoon driving around Dubai, no agenda, no idea of what to do, and partly cloudy with a chance of sandstorms.

A black and white photo of the road along the trunk of the Palm Jumeirah, with the Atlantis resort in the distance
Not knowing where else to go we ended up driving to the Palm Jumeirah. It's a pretty desolate place, lots of construction and me-too villas. Not a shop or green space in sight. Other than the sheer novelty of driving on a piece of land that didn't exist ten years ago, there isn't much to see, and even less to photograph. Still, I try.

Black and White photo of cars in the undersea tunnel of the Palm Jumeirah
To get to the 'crescent' (a large circle of land that encircles the Palm shaped landmass itself, and acts both as breakwater and home to several resorts) one takes a twisty underwater tunnel -- there are, unfortunately, no windows -- from the end of the trunk.

A bobcat earthmover sits in a parking space at one end of the Palm Jumeirah crescent
View of construction on the Palm Jumeirah crescent, in a rear view mirror
Other than the Atlantis Resort (which draws crowds who come to see its fancy aquarium), there isn't anything else to see on the crescent. There are several resorts under construction -- months away from opening -- and still more empty lots with signs for future resorts. As a result, the edges of the crescent are pretty empty on a Friday, save for curious people like us driving to the ends, and a couple of construction workers.

View of the sea from Palm Jumeirah crescent, with a jet-ski
It was a typically brown-skied Dubai day -- we don't see the colour blue in the atmosphere until much, much later in the year -- hot and humid and oppressive. The only other thing to see from the crescent is the open sea, and it was sparsely populated by jet-skis and pleasure yachts buzzing about. And trust me, this photo is color-corrected -- you don't even want to know how grey it was in reality.

Grafitti in the Dubai Marina on a construction site
From the Palm we followed the roads in a daze and somehow, through the spaghetti-like tangle of roads, ended up in the Dubai Marina. I did not bother with pictures of more skyscrapers under construction, but this picture of some hastily sprayed graffiti caught my eye. It wasn't on any finished structure -- just on a pile of large bricks used to hold up an under-construction overbridge -- which makes me wonder if the person who did it actually works on the construction of that bridge.

Road under sandstorm in Dubai
As evening set in the air seemed to get a bit duller, but it wasn't the usual sharp sunny evening. A cloud peeked pensively over the horizon. "The weather has no right to be this way unless it plans to rain," my brother said. He wasn't wrong about a change in weather, but what we got was not welcome rain, but a sandstorm. We literally drove into it. In moments, the air around us was engulfed, the skyscrapers disappeared, and everything went even more brown than before.

Couple taking a picture in front of the Burj Al Arab, obscured by the sandstorm
The sandstorm didn't stop people from taking exactly the same kind of nonsensical posed pictures they tend to take any other time.

An Audi R8 supercar on the road in Dubai in a sandstorm
I leave you with this photo. I keep hearing of people lusting over sports cars, relishing each instance to see them, and even I like them too, but after you live in Dubai for a while you get very used to it. This wasn't the first Audi R8 I'd seen in a month, it was the fifth Audi R8 I had seen that day. Exactly five seconds after this a red one passed by going the other direction, and by the time we got home I'd seen two more, and a McLaren Mercedes SLR. Let's not even talk about the number of Porsches. I've stopped even noticing those.

It sounds like I'm boasting, and I suppose I am -- I like cars enough to feel lucky that I live in a place where I can and have seen every major car whose poster has been on the walls of every boy's bedroom -- but seeing them so often, you do start to realise: they're just cars. Are they cool? Yes. Do I have a heat attack whenever one passes by? No.

V

More Mountain (well, Hill) Photos

Thumbnail header swatch of quarried mountains in Fujairah
A while ago on a drive through Fujairah and the Northern Emirates I took a bunch of photos of the landscape from the car. It was a nice enough day, but far too grey and harsh, and I didn't think any of the photos were any good.

A few days ago I was looking through those same photos before archiving them to DVD, and tried playing around with some of the levels. Lo and behold, the peculiar, lovely color of Kodak cameras came into play, and the pictures were suddenly pretty good!

So here are fifteen of the best. You should keep in mind that the day didn't look like this -- but hey, who cares now, the pictures came out good. Enjoy.

Playing Around With The Pentax K200D

Macro shot of the Pentax K200D dslr camera taken with a Kodak C875 compact
A couple of weeks ago did my bit to help ease the credit crunch by put a good deal of cash into retail spending. I bought myself a Pentax K200D digital SLR camera. It's the first professional camera I've ever owned, and while everybody and their mother told me to get a frakking Canon or Nikon, this one -- quirks, warts and all -- is the one I wanted (also there was a rumour going around that the model was discontinued, and indeed it took me a week to track it down in a store).

I've spent the past couple of weeks testing it out. With no real SLR experience behind me I haven't half a clue as to what I'm doing. The days have also been brown and grey, which doesn't fill me with enthusiasm to take pictures. Here's a bunch of decent ones I've taken so far (out of hundreds of lousy ones, heh).

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