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Khoya Khoya Chand - Movie Review

Khoya Khoya Chand Review Image
The good thing about living in a country with a Friday/Saturday weekend is that movies release a day earlier than other places, and because of the extra day an early evening screening can still be relatively empty (most people are still at work). Not that I expected a huge turnout for Sudhir Mishra's latest, Khoya Khoya Chand, but in multiplexes Hindi films are shown in the smaller screens, and those hundred odd seats can fill up quickly.

Starring a bunch of well regarded actors who aren't quite stars yet (and one wonders why), Khoya Khoya Chand is a gorgeous, quirky and ultimately satisfying movie about Indian movies. Om Shanti Om from a couple of weeks back also was an homage, but while it was a loud and tongue-in-cheek pastiche of 1970s potboilers, Mishra's film is a subversive, adult drama set in the fifties and sixties, the transition era from black-and-white melodramas to technicolour kitsch. It does so with class.

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Vishal K Bharadwaj is a graphic designer, photographer, writer and a geek of several persuasions. His body is in Dubai, his heart in India, and his brain roams the internet with abandon. He is not famous, but is sometimes mistaken for being so.
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